Both of these lenses are superb in their own right, and arguably fairly short of objective flaws. There are plenty of lenses that carry the Sonnar name, my Contax T3 has a 35mm 2.8 Sonnar, and even my Sony A7s spends most of its time sporting a Sony made Zeiss designed 55mm f1.8 Sonnar. It’s a modern lens, with modern coated glass yet it’s optical formula is supposedly closely based on the early 1930’s Sonnar design. ![]() To my knowledge, there is very little else like it on the market. The ‘Carl Zeiss C Sonnar T* 1,5/50 ZM’, to call it by it’s given name, or ’50mm C Sonnar’ as I shall refer to it throughout this review, is somewhat of an enigmatic lens… or at very least it’s a divisive lens. And you know what, my only regret was not buying the damned thing sooner. ![]() ![]() Just recently, I decided enough was enough, I was going to end this cycle of indecision, bite the bullet and just try one. Something just kept changing my mind at the last minute. ![]() I must have hanged my mouse over a buy-it-now button of some sort countless times. It took me so long to commit to the idea of buying a Zeiss ZM 50mm Sonnar.
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